{ Oracle Origin Story :: Update }

Oracle Fine Curiosities was founded in 2013 by psychologist Carrie Parker and artist/illustrator Jane Almirall. Oracle, a natural science and oddities shop with an interest in divination tools, attracted a beautiful community of customers and clients who were interested in science, art and metaphysical ephemera. Not long after opening it’s doors, Oracle entered a partnership with artist, Alessandra Dzuba, whose background in entomology and osteology became the literal backbone (*articulated spine) of the shop.

 

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In November of 2017, Ms. Dzuba assumed sole ownership of Oracle - now Oracle Natural Science - and has continued to grow the community of natural science enthusiasts as well as spiritual growth seekers, healers and artists with her sustainable and thoughtfully curated space. Alessandra Dzuba continues her work as an artist, www.alessandradzuba.com, and showcases her one of a kind works and assemblage pieces at Every Day Original, which can be found here.

 

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Carrie Parker has turned her focus on her intuitive counseling practice, Sacred Psyche, and has opened a beautiful space for her clients located in the Historic Tower East neighborhood at 901 East 31st St., KCMO 64109. Ms. Parker hosts events and workshops which explore a variety of divination modalities, all of which can be found on her site, www.yoursacredpsyche.com and on instagram.

 

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Jane Almirall has returned to her first love, competitive hot dog eating. I kid! Ms. Almirall is creating an oracle divination deck, collaborating with fellow artists and creators, as well as teaching workshops and reading Tarot for clients. Her illustrations and drawings can be found at www.janealmirall.net, and on her instagram.

 

{ The Reoccurring Card }

I recently took this magnificent class with Philip Matthews for creative blocks and writing through Tarot (hosted at Oracle). It was phenomenal. I have never had a guided meditation as well as this class - it opened up some parts of my mind that I hadn't realized were blocked. I've been wanting to incorporate poetry and writing with my work for quite some time, but always went to the drawing board blank. The solution, as Philip taught us, was right there in front of us. They were hidden in our consciousness and proved evidence through the cards that we pulled. By imagining ourselves and our project in a void, we were to ask ourselves why and how did we approach our issues? And isn't that a weird way to use tarot cards, you may ask? Answer; It really isn't.

Tarot is far beyond the divination tool that people have thought it to be. I blame movies and ghost hunting episodes where tarot is represented as a faux paux, an opening of portals, like a ouija board deck of cards that is so full of power that only the damned would consider using. *shakes head slowly and disappointingly

Tarot is a fantastic tool that allows you to touch on your subconscious. Our brain is a powerful tool that picks up on subtleties and symbols, reading into the situation at hand from a different perspective. It is almost as if putting yourself into the cards, as another person, looking back at yourself (if you are doing a personal reading) and then reading as a friend would be giving advice. After years of study you learn the symbology and its deeper meanings, separating yourself more to delve into the void as Lyra reading an alethiometer. YOU are actually the tool and the cards are a guide. 

Sometimes it isn't that easy to read the situation, that's when tarot can help. Separate your deck to the 4 suits, and pull from each to investigate the 4 aspects of your life; what fills your emotions, what are your passions, what drives you, and what are your dream career/aspirations. When things are out of balance that is when we don't feel confidence or have the ability to produce as your are struggling to keep ourselves afloat. Every part of life is important, just like when we don't love ourselves how can we possibly love another. There isn't enough to spread out like too little butter. Friendship, stability, love, career, they all effect how we feel then affect one another. So it always is good to look at the picture as a whole. 

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In my guided meditation I was brought to solve my creative block in a void, where I kept my toe on the ledge trying to grab it and bring it back to where I was originally standing. SO MUCH < DUH. (Honestly, pretty sure Philip is a true magician) but how can that be more obvious that my issues on this project were leaving my comfort zones than the card I kept pulling up (even Philip pulled the same cards for me!) was the 3 of swords. I was holding on the the fear of failure, I was afraid of trying, and I needed help and I shouldn't have felt ashamed for asking for it. 

How many times we as artists have felt this way. Where we aren't good enough or our ideas aren't valid? Taking the leap for a new project or job that we have always wanted, but the instability is unnerving. Plenty of people who I have spoken to always tell me, 'but that's what being an artist is, that's what drives us'. I disagreed with that having to be norm. Why must we all be starving struggling artists? Why can't we have periods of time of experimental work? I blame art school to a degree forcing us to always have a body/series of work. Needing to be flawless and conceptual at all time. Why must you suppress my urge to draw cartoon cats, art world?! Ha, I'm kidding, but not really... as even after art school days are gone we are encouraged to have curated instagrams and facebook pages to sell our work... cohesiveness always sells

But I guess that's the issue. Unvalued work and hustle overrides the ability to experiment, even though it shouldn't. So take the leap, try that new project. Make the work just because. Dump out the studio and start from scratch (*note to self: take your own advice). Purge and force yourself to take the time. To investigate the possibilities. Make something ugly.

Pulling more cards I found I wasn't giving myself enough time, nor patient enough. Rushing the projects, or focusing too much of my energy solely on my other business. Solution? Going to stick to a new routine and studio days strictly for myself. Start saying no more to things and stick to that - maybe even a studio week in the middle of the Ozark? Who wants to go with me?! 

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